CuratorChestnut Grain
chestnut-grain
Paint brand information
Curator Paint Colours and Finishes
Explore Curator’s Irish Design palette in the Designer Colours library and compare the five finishes described by the manufacturer. Confirmed Designer Colours ordering and showroom services appear separately when approved.
Colour and product discovery
Browse Curator colours and finishes
Search and family selections narrow this brand library while keeping every published colour within easy reach.
10 matching records
Curator Pink colours
Ordering and showroom information
What Designer Colours can confirm
Use this page to research Curator colours, collections and finishes. Brand-specific ordering, sampling and showroom options will appear here when Designer Colours has confirmed the exact service and route.
Choosing a Curator product and finish
Enhanced Matt and Subtle Sheen are described for interior walls. Eggshell, Satin and Gloss cover wood and metal uses, with the manufacturer’s current surface and exterior guidance determining the final choice.
Recorded Curator finish names
Recorded names describe the catalogue data available here. Suitability and availability still depend on the exact product, colour, surface and current manufacturer guidance.
- Eggshell
- Enhanced Matt
- Gloss
- Satin
- Subtle Sheen
Further guidance
Details and common questions
About Curator
Curator is an Irish decorative paint brand produced by General Paints Ltd.
Its 144-colour palette draws on Ireland and its design community. The current finish range comprises Enhanced Matt, Subtle Sheen, Eggshell, Satin and Gloss.
Recorded colour cards and collections
- THE / PALETTE — 144 colours
What are the five Curator finishes?
Curator currently lists Enhanced Matt and Subtle Sheen for interior walls, plus Eggshell, Satin and Gloss for wood and metal. Check the finish page for the current surface guidance.
What should I confirm before ordering?
Confirm the exact colour, product range, finish, base, pack size, current availability, price, collection or delivery method, and expected lead time. A colour catalogue record alone does not confirm any of these.
Why can the screen colour differ?
Displays, room lighting, neighbouring materials, substrate and sheen can all change perception. Use digital colour for discovery, then judge an appropriate physical sample in the real space.