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Paint brand information

Paint & Paper Library Colours and Finishes

Explore Paint & Paper Library colours in the Designer Colours library, including its Original and Architectural Colours structure, then compare the manufacturer’s current finishes. Designer Colours services appear separately when verified.

Colour and product discovery

Browse Paint & Paper Library colours and finishes

Search and family selections narrow this brand library while keeping every published colour within easy reach.

188 matching records

All Paint & Paper Library colours

Ordering and showroom information

What Designer Colours can confirm

Use this page to research Paint & Paper Library colours, collections and finishes. Brand-specific ordering, sampling and showroom options will appear here when Designer Colours has confirmed the exact service and route.

Recorded Paint & Paper Library finish names

Recorded names describe the catalogue data available here. Suitability and availability still depend on the exact product, colour, surface and current manufacturer guidance.

  • Architects' Eggshell
  • Architects' Gloss
  • Architects' Matt
  • Architects' Satin
  • Pure Flat Emulsion

Further guidance

Details and common questions

About Paint & Paper Library

Paint & Paper Library is a London-founded British paint and wallpaper brand.

Its current palette includes Original Colours and Architectural Colours arranged in tonal families, alongside Pure Flat and Architects’ Matt, Eggshell, Satin and Gloss finishes.

Paint & Paper Library: About us

Recorded colour cards and collections
  • View all Paint — 188 colours
How are Paint & Paper Library colours organised?

The current palette includes Original Colours and Architectural Colours. Architectural families use stepped tonal weights, while the finish is chosen separately for the surface and required performance.

What should I confirm before ordering?

Confirm the exact colour, product range, finish, base, pack size, current availability, price, collection or delivery method, and expected lead time. A colour catalogue record alone does not confirm any of these.

Why can the screen colour differ?

Displays, room lighting, neighbouring materials, substrate and sheen can all change perception. Use digital colour for discovery, then judge an appropriate physical sample in the real space.

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